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Captain Marvel (Original title)
Date: 2019 (Copyright)

Country: USA

Director: Anna Boden, Ryan Fleck

Synopsis: Adventure fantasy. Carol Danvers is the fighter pilot alias of the extra-terrestrial Vers, a member of the Kree from the planet Hala. The Kree are at war with the Skrull, led by Talos. When Vers crash lands on Earth, Nick Fury finds her and watches over her as she becomes Captain Marvel and goes on to battle the Skrull across the galaxy.

Genres:
Action and Adventure, Fantasy

Subjects:
Super-heroes, Aliens, Pilots
Releases
Date: 18 March 2019Country: USARelease type: TheatricalFormat: not specified - Colour - Sound - Dolby AtmosAspect ratio: 2.35:1Runtime: 123 mins Dialogue (original): English
Date: 18 March 2019Country: United KingdomRelease type: TheatricalFormat: not specified - Colour - Sound - Dolby AtmosAspect ratio: 2.35:1Runtime: 123 mins 31 secs - Dialogue (original): EnglishDistributor: Buena Vista International (UK)

Credits (287)
©: Marvel, Presents: Marvel Studios, Tax: Ontario Media Development Corporation, Tax: Québec Production Services Tax Credit, Logo [Production Services]: The State of California, the California Film Commission, Distributed by [World Sales]: Walt Disney Studios Motion Pictures, Executive Producer: Louis D'Esposito, Executive Producer: Victoria Alonso, Executive Producer: Jonathan Schwartz, Executive Producer: Patricia Whitcher, Executive Producer: Stan Lee, Produced by: Kevin Feige, Co-producer: David J. Grant, Co-producer: Lars P. Winther, Production & Development Executive: Mary Livanos, Marvel Visual Development Supervisor: Andy Park, Marvel Studios (Head of Business & Legal Affairs): David Galluzzi, Marvel Studios (Credits Executive): Jeff Willis, Marvel Studios (Post-production Supervisor): Kacie Kane, Unit Production Manager: Susan McNamara, Unit Production Manager (2nd Unit): Paddy Cullen, Unit Production Manager (Additional Photography Unit): JoAnn Perritano, Production Supervisor: Don J. Hug, Production Co-ordinator: Sara Bartkiewicz, Production Co-ordinator (2nd Unit): Jordan Gilbert, Production Co-ordinator (Additional Photography Unit): Dan Parker, Financial Controller: Ross Jensen, Supervising Location Manager: Ilt Jones, Location Manager (Louisiana Unit): Bonnie Marquette, Supervising Location Manager (Additional Photography Unit): Mike Wesley, Post-production Supervisor: Jennifer Bergman, Post-production Co-ordinator: Allana Williams, 2nd Unit Director: Jeff Habberstad, 1st Assistant Director: Lars P. Winther, 1st Assistant Director (2nd Unit): Douglas Plasse, 2nd Assistant Director: Katy Galow, 2nd Assistant Director (2nd Unit): Megan Schmidt, 2nd Assistant Director (Additional Photography Unit): Anneke Scott, 2nd 2nd Assistant Director: Cody Williams, Script Supervisor: Lyn McKissick, Script Supervisor (2nd Unit): Samantha Kirkeby, Casting by: Sarah Halley Finn, Casting Associate: Jason B. Stamey, Voice Casting by: Barbara Harris, Screenplay by: Anna Boden, Screenplay by: Ryan Fleck, Screenplay by: Geneva Robertson-Dworet, Story by: Nicole Perlman, Story by: Meg LeFauve, Story by: Anna Boden, Story by: Ryan Fleck, Story by: Geneva Robertson-Dworet, 'The producers would like to recognise [...] for their significant contributions to the film': Kelly Sue DeConnick, David Lopez, Director of Photography: Ben Davis, 2nd Unit Director of Photography: Igor Meglic, Director of Photography (Additional Photography Unit): Matt Lloyd, Camera Operator (2nd Unit): Onofrio Pansini, Camera Operator (2nd Unit): Maurice McGuire, Joseph V. Cicio, A Camera Operator: Geoff Haley, A Camera Operator/Steadicam (Additional Photography Unit): Dana Morris, B Camera Operator: Sarah Levy, C Camera Operator: Chris Duskin, Steadicam Operator: Geoff Haley, Chief Lighting Technician: Ross Dunkerley, Rigging Gaffer: Jason Fitzgerald, Key Grip: Mike Anderson, Stills Photographer: Chuck Zlotnick, Visual Effects Supervisor: Christopher Townsend, Additional Visual Effects Supervisor: Janelle Croshaw Ralla, Additional Photography Visual Effects Supervisor: Jesse James Chisholm, ILM Visual Effects Supervisor: Craig Hammack, ILM Animation Supervisor: Adrian Millington, Visual Effects Producer: Damien Carr, ILM Visual Effects Producer: Lee Briggs, Erin Dusseault, Visual Effects Production Manager: Katie Stetson, Visual Effects Co-ordinator: Harrison Goldstein, Visual Effects Co-ordinator: Katrissa Peterson, Visual Effects Co-ordinator: Cole Darby, Visual Effects Co-ordinator: Sarah Cave, Rachel Sokoloski, Visual Effects and Animation by: Industrial Light & Magic, Industrial Light & Magic (Visual Effects Associate Producer): Russell Lum, Industrial Light & Magic (CG Supervisor): Celia Jepson, Industrial Light & Magic (Compositing Supervisor): Ryan B. Clarke, Industrial Light & Magic (Layout Supervisor): Gregory Bossert, Industrial Light & Magic (Visual Effects): Patrik Marek, Visual Effects and Animation by: Trixter, Trixter (Visual Effects Supervisor): Dominik Zimmerle, Trixter (Visual Effects Producer): Christine Neumann, Trixter (Animation Supervisor): Simone Kraus Townsend, Visual Effects and Animation by: Animal Logic, Animal Logic (Visual Effects Supervisor): Paul Butterworth, Animal Logic (CG Supervisor): Greg Jowle, Animal Logic (Visual Effects Producer): Jason Bath, Visual Effects by: lola|VFX, lola|VFX (Visual Effects Supervisor): Trent Claus, lola|VFX (Compositing Supervisor): Edson Williams, Visual Effects by: Framestore, Framestore (Visual Effects Supervisor): Christian Kaestner, Framestore (Visual Effects Producer): Sophie Carroll, Visual Effects and Animation by: Digital Domain, Digital Domain (Visual Effects Supervisor): Dave Hodgins, Digital Domain (Digital Effects Supervisor): Hanzhi Tang, Digital Domain (Animation Supervisor): Elizabeth Bernard, Digital Domain (Comp Supervisor): Bryan Smeall, Digital Domain (CG Supervisor): Daisuke Nagae, Digital Domain (Visual Effects Producer): Ryan Wilk, Visual Effects by: Rising Sun Pictures, Rising Sun Pictures (Visual Effects Supervisor): Malte Sarnes, Rising Sun Pictures (Compositing Supervisor): Guido Wolter, Rising Sun Pictures (CG Supervisor): Noah Vice, Visual Effects by: Scanline VFX, Scanline VFX (Visual Effects Supervisor): Nick Crew, Scanline VFX (Visual Effects Producer): Ryan Flick, Scanline VFX (Digital Effects Supervisor): Harry Mukhopadhyay, Scanline VFX (Compositing Supervisor): Micah Gallagher, Visual Effects and Animation by: Luma, Rise | Visual Effects Studios, [Visual Effects and Animation by Rise | Visual Effects Studios] Kindly Supported by: MFG Filmförderung Baden-Württemberg, Visual Effects by: SSVFX, Cantina Creative, Additional Visual Effects by: Stereo D, Additional Visual Effects by: Co. Ltd Yannix (Thailand), Virtuos, Additional Visual Effects and End Crawl by: Exceptional Minds, Additional Visual Effects by: DNEG, Special Effects Supervisor: Daniel Sudick, Special Effects Foreman: David J. Barker, Special Effects Foreman: Charles Cooley, Special Effects Foreman: Steven Ficke, Special Effects Foreman: Justin Krauss, Special Effects Foreman: Joel Mitchell, Special Effects Foreman: Anthony Simonaitis, Special Effects Foreman: Tim Walkey, Special Effects Foreman: Thomas Zell, Jeffrey Ogg, Edited by: Elliot Graham, Debbie Berman, Production Designed by: Andy Nicholson, Production Designer (Additional Photography Unit): Beth Mickle, Supervising Art Director: Andrew Max Cahn, Supervising Art Director (Additional Photography Unit): Jann Engel, Art Director: Kasra Farahani, Art Director: Lauren Polizzi, Art Director: Jason T. Clark, Art Director: Jordan Ferrer, Art Director (Louisiana Unit): Elena Albanese, Assistant Art Director: Michael Gowen, Assistant Art Director: Erin Riegel, Set Designer: Ernie Avila, Set Designer: Timothy Croshaw, Set Designer: Kevin Cross, Set Designer: Scott Herbertson, Set Designer: Tammy Lee, Set Designer: Richard Mays, Set Designer: David Moreau, Set Designer: Julien Pougnier, Set Designer: Shamim Seifzadeh, Set Designer: Mike Stassi, Set Decorator: Lauri Gaffin, Set Dresser: Dale E. Anderson, Set Dresser: Scott M. Anderson, Set Dresser: Max Bostic, Set Dresser: John Boucher, Set Dresser: David R. Dunn, Set Dresser: Sean Ginevan, Set Dresser: Rick Glenn, Set Dresser: Corey Felix Gomez, Set Dresser: David Ladish, Set Dresser: Dean Lakoff, Set Dresser: Stephen Lauritzen, Set Dresser: Marco Lopez, Set Dresser: James Malley, Set Dresser: Danny Metz, Set Dresser: Brian Nabours, Set Dresser: Mark B. Palmer, Set Dresser: Nick Rymond, Set Dresser: William Sender, Set Dresser: Mark Sunga, Set Dresser: Michael Sunga, On-set Dresser: Marcus Epps, Concept Artist: Tim Flattery, Concept Artist: Till Nowak, Josh Viers, Storyboard Artist: Bryan Andrews, Storyboard Artist: Federico D'alessandro, Storyboard Artist: Darrin Denlinger, Storyboard Artist: Tony Liberatore, Property Master: Drew Petrotta, Prop Master (2nd Unit): Fritz Buckley, Prop Master (Additional Photography Unit): Tim Wiles, Construction Co-ordinator: Anthony Syracuse, Costume Designer: Sanja Hays, Assistant Costume Designer: Mairi Chisholm, Assistant Costume Designer: Irena Stepic-Rendulic, Costume Supervisor: Linda Matthews, Marvel Costume Supervisor: Wendy Craig, Speciality Costumes by: Inc. Film Illusions, Film Illusions, Inc. (Speciality Costumes Supervisor): Russell Shinkle, Skrull Costumes by: Bill Hargate Costumes, Make-up Department Head: Heba Thorisdottir, Co-department Head: Jaime Leigh McIntosh, Make-up Department Head (Additional Photography Unit): Heba Thorisdottir, Key Make-up Artist (2nd Unit): Malanie Romero, Make-up Artist to Ms [Bree] Larson: Heba Thorisdottir, Special Character Make-up Prosthetics Created by: Legacy Effects, Hair Department Head: Camille Friend, Hair Department Head (Additional Photography Unit): Janine Rath Thompson, Key Hairstylist (2nd Unit): Pauletta Lewis-Irwin, Hairstylist to Mr [Samuel L.] Jackson: Camille Friend, Hairstylist to Ms [Bree] Larson: Laurel E. Kelly, Main Titles by: Elastic Film Entertainment Ltd, Music by: Pinar Toprak, Solo French Horn: Richard Watkins, Orchestra Leader: Clio Gould, Conductor: John Ashton Thomas, Supervising Orchestrator: John Ashton Thomas, Orchestrator: Tommy Lawrence, Orchestrator: Geoff Lawson, Andrew Kinney, Music Supervisor: Dave Jordan, Score Supervisor: Steve Durkee, Music Editor: Joseph Bonn, Supervising Music Editor: Steve Durkee, Music Editor: Tom Kramer, Music Editor: Amanda Goodpaster, Music Scoring Mixer: Alan Meyerson, Additional Sound Design: Kyrsten Mate, Additional Sound Design: David Acord, Additional Sound Design: Al Nelson, Additional Sound Design: David Hughes, Additional Sound Design: David Farmer, Additional Sound Design: Gary Rydstrom, Additional Sound Design: Nia Hansen, Shannon Mills, Production Sound Mixer: Pud Cusack, [Production] Sound Mixer (2nd Unit): José Antonio García, [Production] Sound Mixer (Additional Photography Unit): Lee Orloff, Boom Operator: Richard Bullock, Re-recording Mixer: Christopher Boyes, Re-recording Mixer: Lora Hirschberg, Re-recording Mixer: Bonnie Wild, Supervising Sound Editor: Gwendolyn Yates Whittle, Supervising Sound Designer & Editor: Christopher Boyes, Dialogue Editor: Brad Semenoff, Dialogue Editor: Chris Gridley, Dialogue Editor: James Spencer, Sound Effects Editor: Kimberly Patrick, Sound Effects Editor: J.R. Grubbs, Sound Effects Editor: Dee Selby, Sound Effects Editor: Teresa Eckton, Sound Effects Editor: Lucas Miller, ADR Recordist: Jeannette Browning, ADR Mixer: Doc Kane, Foley Supervisor: Qianbaihui Yang, Foley Artist: Janna Vance, Foley Artist: Ronnie Brown, Foley Artist: Geoff Vaughan, Foley Mixer: Blake Collins, Foley Editor: Shaun Farley, Aerial Co-ordinator/Helicopter Pilot: Kevin LaRosa, Stunt Co-ordinator: Jim Churchman, Stunt Co-ordinator (2nd Unit): Hank Amos, Stunt Co-ordinator (Additional Photography Unit): Monique Ganderton, Assistant Stunt Co-ordinator/Fight Co-ordinator: Walter Garcia, Carol Danvers/Vers Double: Renae Moneymaker, Joanna Bennett, Vers Bike Double: Heather Bonomo, Young Carol Double: Jessie Giacomazzi, Kara Petersen, Consultant: Kelly Sue DeConnick, Dolby Consultant: James Wright, Dialect Coach: Thom Jones, Head Cat Trainer: Ursula Brauner, Cat Trainer: Mark Harden, Unit Publicist: John Pisani, Digital Intermediate by: Technicolor, In Memory of: Thunderbird 4, Stephen 'Cajun' Del Bagno, With special thanks to: Stan Lee, Ralph Macchio, Filmed at: Sony Pictures Studios
Cast (51)
Brie Larson (Carol Danvers, 'Vers', 'Captain Marvel'), Samuel L. Jackson (Nick Fury), Ben Mendelsohn (Talos, 'Keller'), Jude Law (Yon-Rogg), Annette Bening (Supreme Intelligence), Lashana Lynch (Maria Rambeau), Clark Gregg (Agent Coulson), Rune Temte (Bron-Char), Gemma Chan (Minn-Erva), Algenis Perez Soto (Att-Lass), Djimon Hounsou (Korath), Lee Pace (Ronan), Chuku Modu (Soh-Larr), Matthew Maher (Norex), Akira Akbar (Monica Rambeau (11 years old)), Azari Akbar (Monica Rambeau (5 years old)), Kenneth Mitchell (Carol's father), Stephen A. Chang (cadet officer), Pete Ploszek (Bret Johnson), Mark Daugherty (Skrull main tech), Vik Sahay (hero Torfan), Sharon Blynn (Soren), McKenna Grace (young Carol (13 years old)), London Fuller (young Carol (6 years old)), Colin Ford (Steve Danvers), Stan Lee (Stan Lee), Marilyn Brett (older lady on train), Diana Toshiko (Skrull tech 1), Robert Kazinsky (biker, 'The Don'), Emily Ozrey (surfer girl Talos 1), Abigaille Ozrey (surfer girl Talos 2), Gil De St. Jeor (teenager), Matthew Bellows (accuser 1), Richard Zeringue (Tom the neighbour), Barry Curtis (mall security guard), Nelson Franklin (medical examiner), Patrick Brennan (bartender), Patrick Gallagher (security chief), Duane Henry (Talos-Kree soldier), Ana Ayora (Agent Whitcher), Stanley Wong (SHIELD tech), Auden L. Ophuls, Harriet L. Ophuls (Talos' daughter), Matthew 'Spider' Kimmel (Spider), Stephen 'Cajun' Del Bagno (Cajun), Lyonetta Flowers (Monica's grandmother), Rufus Flowers (Monica's grandfather), Reggie, Gonzo, Archie, Rizzo (Goose)
Articles held in BFI Reuben Library (1)
In: Science fiction film and television v12 n3 Autumn 2019  Pages: 365-372
Title: Endless war or endless nostalgia?: time travellers in the franchise eraAuthor: Attebery, StinaArticle type: ArticleLanguage: English
Description: A review essay of 'Captain Marvel' (2019).


Books held in BFI Reuben Library (1)
Title: Women in Marvel films
Author: Kent, Miriam  Pages: viii, 313 pages